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Lyrically, she might choose a thing (prostitution, CCTV surveillance, prescription drugs) and then chew it over in repetitive, often anguished ways, before elevating the mood with a sudden joke. For 18 months or so, until a break-up made public last summer, Clark was going out with Cara Delevingne, arguably the best-known model in the world.
In the museum, while leaning over a glass display of clay death masks and shrunken human heads, we discuss Clark’s scaling achievements as St Vincent.
She got accepted into the University of Toronto on April 25th, 2012, and studying film.
Her former Degrassi co-star Sam Earle and her have a film class together.
Conversation with Clark is like this: a bit unexpected, a bit arch, a bit sexy.
She sometimes speaks so slowly and carefully it’s as if she’s reviewing individual words before committing to them.
“Didn’t it always make you laugh,” Clark says, already laughing, softly, in the museum in London where we meet one summer afternoon, “how people in the 90s who had, like, tongue rings? But then, I guess the challenge – because they were constantly fidgeting with this gross thing in their mouth!
“And that’s awesome, I’m thrilled by that.” She fixes a level gaze before adding: “But it’s never a main.” A word about her hair.
the Lara-Flynn-Boyle-in-the-90s.” She isn’t quite such a speedy creator of names for her albums. I’ve heard about two-thirds of it and it’s superb – the same appealing, enigmatic, genre-spliced collision of ideas and influences that St Vincent fans cherish, only this time with a sleeker, more accessible through-line that ought to further expand her listenership.
Some of the tracks, such as the scratchy, stirring Hang On Me, would work as well over the titles of a grand HBO drama as played through fizzing speakers in a dive bar. “Sometimes I feel like an inland ocean,” Clark sings, on a track called Smoking Section.
She had to shear off her frazzled curls, “and then my look was less cult leader, more ‘Why do you have a rodent on your head?
’” She has a flair for naming her own haircuts, having cycled through such past constructions as “the Audrey Hepburn with anger issues” and “the Nick Cave minus the receding hairline”, and when I ask about the straightened black parting she has today, Clark decides: “I want to call this one...